The Complete David Bowie is definitely the best account of David's work, presenting in the first part of the book each and every song he has ever written or sung and continuing with his albums, singles, movies and live appearances.

Don't get me wrong, Nicolas Pegg has done a great and painstaking job and the book is a great source if you're going to write a thesis on Bowie(!), but I wouldn't call it fun reading, mostly because of its structure, which is similar to that of a dictionary or encyclopedia! However, there are many interesting facts and quotes that will draw your attention, and you get to hear the explanation of many of his songs from David! 'e.g. I didn't know what the theme of Heathen (The Rays) was and why it brought tears to his eyes in one of his concerts'

I think it's a very good and detailed piece of work, as long as you know what you're getting!

The Complete David Bowie is definitely the best account of David's work, presenting in the first part of the book each and every song he has ever written or sung and continues with his albums, singles, movies and live appearances.

Don't get me wrong, Nicolas Pegg has done a great and painstaking job and the book is a great source if you're going to write a thesis on Bowie(!), but I wouldn't call it fun reading, mostly because of its structure, which is similar to that of a dictionary or encyclopedia! However, there are many interesting facts and quotes that will draw your attention, and you get to hear the explanation of many of his songs from David! -e.g. I didn't know what the theme of Heathen (The Rays) was and why it brought tears to his eyes in one of his concerts...

I think it's a very good and detailed piece of work, as long as you know what you're getting!

As a collector of Bowie's music, I found this book invaluable. It filled in some gaps in my understanding of the great ones music and cleverly clarifies the evolution process from one Bowie phase to the next.
The book makes reference to many rare and unreleased songs which is vital to a serious collector.
It is written plainly and factually with no hint of worship.
If you are only concerned with Bowie's music then this is the book for you. Essential.

This book is used as the primary text in my university's introductory Philosophy course, and I think it's an excellent choice. It includes classic texts written by well-known philosophers and the writings of scientists, novelists, religious figures and many others. The inclusion of philosophical writings from such unlikely sources is a great illustration of how philosophy is woven into all aspects of our lives. Reading this book will help you to realize how many philosophical issues you already deal with in your own life and will also help you to find new ways of thinking about and dealing with them.

I ordered this book as a requirement from a great professor during college. Having only read just more than a handful of chapters in that semester I became hooked. I have since moved on and really started to appreciate the ultimate questions of life. Not that this book answers them. That is still the uniqueness of humanity, individual thought. I would highly recommend this to anyone wanting to be a better skeptic. We so readily just accept things that our ancestors accepted without a thought as to how reality really is. The wide array of topics is to be applauded and a great concept to take a look at may arenas of thought. Thank you professor Buenter(Binter).

This is a really good book. It really shows the bacics of philosophy. When i came home i have been wanting to read the rest of the book badly.

BOWIE IS ONE OF THE BEST FICTIONAL BIOGARPHY I'VE EVER READ. A MAGNIFICANT ACHIVEMENT OF FACT SUPPORTING FICTION TO RE-CREAT A STORY IN WORDS THAT WILL BRING TEARS TO YOUR EYES AND A LUMP TO YOUR THROAT.THE AWSOME TASK OF BIOGAPHICAL NOVELIST IS TO GATHER UP THE BONES OF LONG-DEAD PEOPLE AND BEREATH LIFE BACK INTO THEM.

The author seemed so knowledgeable on the subject of Jim Bowie. I didn't know some of the stories myself. I often wondered what went on prior to The Alamo and now I know. I would like to see the same type of Book come out about Crockett and Travis.

Eickhoff and Lewis have teamed together to compose the most complete account of a complicated, often oversimplified man. As a hero of the Alamo, James Bowie has been the victim of many myths. I believe Eickhoff and Lewis succeed at erasing the myths, yet keeping the mystery and magical qualities that seemed to surround the man, who some called "El Leon", or the lion, because of his impressive mane of red hair. Lewis published an article about Bowie last year, where he gave us a taste of what was to come in this book, Bowie. I recommend it, expecially the magical telling of the forging of the infamous knife that became Bowie's trademark.

By his nature, David Bowie isn't an easy person to write a book about. He is very complicated, closed, and truly a "chameleon", which is the label many put on him. Buckley does an admirable job. He is obviously a devout fan, but he writes this book with a very balanced view. It is neither complete idolatry, nor is it a "kiss and tell" book. Instead, it is mostly about Bowie's art (music is obviously most of that, but his other forays as well) and how he works. There are tidbits of gossip here and there, as well as an aspect of setting the record straight. His early life isn't covered very much at all, and I would have liked to have heard more about his relationship with his brother Terry. The book goes as recent as 2000. Overall a great read, but I am left with one question....am I really the only one out there who loved the "Glass Spider" album??? I thought it was great!!!

Buckley has slillfully juggled a proper critical distance with the evident enthusiasm of the long-time David Bowie fan. Quick to praise the highlights of his subject's career, he is equally adept at pricking the bubble of pomposity that has often surrounded Bowie, exposing his coke-addled rantings and deriding the leaden Tin Machine.

Believe me, I have read most of them. You can trust me: this is the best Bowie biography ever published. The only drawback is that his pre-1969 years are described rather superficiously. But once you get to "Space Oddity", you realize you're reading a worthy tome by a knowledgeable writer. Buckley is a long-time Bowie fan and he got to interview key people in David's career, most of whom were still associated with the singer at the time of writing (unlike other biographies, where only former associates are heard). But unlike some fans you may have met, Buckley has a critical, non-biased view of Bowie's life. While most biographers concentrate on secondary aspects and anecdotes, Buckley hits the nail in the head and takes you right through the spinal cord of David's career. Whether you're a diehard Bowie fan or a newcomer looking for information, this book is for you!

ATHENA and KAIN is a superb read, a thoroughly enlightening experience. This book and Mr. Johnson's previous one, ATHENA and EDEN: THE HIDDEN MEANING OF THE PARTHENON'S EAST FACADE (which I have also read), are changing the way we think about the ancient Greek world. For the first time, Greek myth has meant something to me. I always knew that it connected somehow to the broader history of the human race, but I couldn't see how. Now I do.
How quickly these books catch on in schools and among the public is anybody's guess. But I wonder: when we get to the 2004 Summer Olympics in Athens, and the media begin to speak about the Parthenon and other cultural treasures, will they understand what they see, or will they simply "ooh" and "aah" at some old Greek stuff somebody told them was important?

The preface to ATHENA and KAIN states that the content of the book is revolutionary, and it really is. I looked up revolutionary, and in the context used it means, "a total or radical change, as a revolution of thought." There is no other book on Greek art or myth like ATHENA and KAIN. Mr. Johnson points out that Greek sculptures appeared on public temples and other public buildings, and that mythological scenes appeared on the ancient Greeks' everyday pottery and storage jars. The average Greeks understood the meaning of their myths. Because of ATHENA and KAIN, it is now possible for us to understand them, too.

Simple rhyming text celebrates every potential action of wiggly toes, as young African-American children play their way through the pages. The brief line form consists of one present-tense verb paired with the word "toes", and with the imagination of a young listener the poem can continue long after the reader is finished, by using the simple combination of action and "toes".

In the case of "Busy Toes", you sure can tell a book by its cover! The delightful cover illustration of a little girl on her toes invites you to turn the pages with your fingers (or toes). Simple, say-it-all, words accompany each rich illustration of a child manipulating his/her toes. The rainbow of faces reminds us of the wonderful diversity of our world and delight in moving toes serves as a common bond. The authors and illustrator have created a book that will bring a smile to a child and adult alike......and the desire to wiggle your toes!

It should be noted first, that the look of this book may have spawned that primary & pastel coloured graphics look that culminated in those dodgy Culture Club-esque album covers of the 80's.

This is, however, not a bad thing. Remember that Bowie himself spawned Icehouse, Bauhaus (and therfore 'the fields of the nephilm'- a gothic embarrasment from the UK that mass cringing couldn't drive away)and a whole gamut of pass the sick, or make up, bag 'artistes'.

The photos were a revelation, in terms of size and quality, when first published and it must have been obvious to Eel-Pie (Publisher owned by Pete Townsend) that sad spotty but 'different' - i.e. couldn't score chics - schoolkids like myself were going to buy two copies at a time. One for perusing and dripping saliva on and the other for the bedroom wall. Some of us particularly sad types bought three, as some pages had 'crucial' snaps on either side.

In fairness, up until then in the UK (or at least Scotland) there were about 20 unofficial Bowie books that you could buy. All of which had little of written interest and shared the same newsprint qualiy black and whites. Face it, the photos were all that really mattered. As soon as I had parted with my pocket money, the cellophane wrapping was aibourne and my mums scissors were gummed up with cellotape as I added the latest installement to the 'installation (conversation?)piece' that was my bedroom 'collage'.

Once I had bought my third copy and actually started to read the thing (only joking, I read the second one before I cut it up) I realised that this was not going to be the same old cliche ridden sychophantic drivel that I was used to swallowing so gratefully. When you are a young teenager and your mates periodically want to beat you up 'cos you listen to a poof', it can be quite comforting having some hack confirm to you in print that 'the chamelion of rock' is actually the second coming in mascarra. Like, it says so there so it must be true!

How refreshing then, to read a book that praises and ridicules Bowie in fairly equal measure, even though it's obvious that Carr & Murray love 95% of the music they are critiquing. I didn't agree with all of their observations and conclusions, but neither I or the authors should mind about that. This was then, the first music publication that for me, made reading it feel like an adult pursuit. Just before I cut it up and used it to cover every inch of my bedroom.

Two more things, 1. If you buy a copy, you will need a bigger coffee table 2. I wish I had kept one.

The book is the size of a record album. Of all my Bowie books, it has held up the best (no pages falling out after all these years) and is as fresh, information-wise, as the day I purchased it. It contains giant size, full-color pictures of Bowie during many stages, up until about the late seventies. It comes complete with discography, and many pictures of international albums he has produced. It is THE definitive guide on Mr. Bowie.

This is a truly impressive debut by J.P. Bowie. We have a real page turner that is engrossing to the point that it's hard to put it away. You will be drawn in quickly by the characters and find yourself anxious to find out what is going to happen next.
This novel is written intelligently and doesn't talk down to its readers. It's filled with suspense and loving bonds between families, friends, and lovers. While the main characters are gay, the universal themes will appeal to everyone. I highly recommend this book and appeal to the author to please write a sequel. I want to know what happens to the characters next!!!

Be advised. Once you begin reading this impressive first
outing written by J.P. Bowie, you will not be able to put it
down until you've finished the entire book. The pages literally
seem to race by. Bowie has an inate knack for introducing
characters that are so fully dimensional, so well described and
articulated, that you find yourself really caring about them as
if you'd known them for years.
The setting takes place in the beautiful southern California
beach community of Laguna .... The story revolves around main protagonist, Peter, who
after waking up from a 3-year coma, finds out that he and his
lover, Phillip, were victims of what was originally thought to
be a hate crime. He also discovers that Phillip was killed in
the attack. We witness his heroic struggle to try and remember
events leading up to the murder, and how his life is forever
transformed by those around him who offer their friendship and
support in his seemingly impossible quest to find the perpetra-
tors.
Although most of Bowie's main characters happen to be gay,
this book will appeal to anyone who champions good over evil,
justice over greed and inhumanity. It is written with a casual,
breezy style, sprinkled with generous doses of intelligence, wit,
and charm. Unlike many so called "gay" novels where most of the
gay characters are portrayed as either tragic or dysfunctional,
Bowie's crew of cast members are confident, self-aware, and well-
adjusted - a perspective that lends the story an upbeat tone even
in the midst of danger and moments that are sometimes heart-
breakingly poignant.
This is not only a story of murder and suspense, it is one of
love, friendship, and the indominatble human spirit. It's an
emotional roller coaster that will draw you in, take you up and
down, and leave you fully satisfied and entertained. You don't
necessarily have to be gay to enjoy this book. I highly recom-

mend it to anyone who appreciates writing that is thoughtful,
clever, and intelligent. Bowie is all of the above.

This was a very well written, very well researched biography. It was an interesting read and the authors obviously knew exactly what they were talking about. They interviewed a vast range of sources, had all sorts of good quotes, anecdotes and pictures. I felt like I was getting the real deal. This is the best Bowie biography I've read. (In case you're wondering, I've read five. I'm doing a report for my arts class.) This answers most of my questions about Bowie, my only regrets being that it was published in the mid-eighties, so I don't get any info on what he's doing now....

Lacking knowledge of the Architectural issues involved, I had to approach "Athena and Eden" with my experience of ancient and classical Greek literature. I was shocked by the strength and cogency of Mr. Johnson's arguments. Though not yet fully convinced of all of the conclusions Mr. Johnson has reached, "Athena and Eden" has definitely given me some ideas to chew on while Mr. Johnson writes his second volume.

Many near eastern/mediteraenean cultures exhibit shared memories of a common prehistory. From Gilgamesh in Mesopotamia to early tales of Osiris in Egypt, echoes of the Genesis and Flood stories abound. If Mr. Johnson is correct, than Greek mythology is a very twisted (possibly Satanic) retelling of the fall of Man.

As far as particulars--

I found his arguments about the true identity of the Zeus figure extremely compelling. Yet the Athena/Hera division is still a little muddled in my mind (probably more my fault than the author's).

Overall, "Athena and Eden" is a very intriguing book that deserves a lot of attention. It gets my recommendation.

The focus of Greek civilization, the Parthenon captures viewers imaginations even as it conceals its true meaning. In his ground breaking work, Robert Bowie Johnson, Jr. author of ATHENA AND EDEN: THE HIDDEN MEANING OF THE PARTHENON'S EAST FACADE demonstrates that when Athena is seen to be Eve, then Greek mythology becomes narrative art. Consequently, the marble sculptures on the east pediment of the Parthenon relate the story of the origin of mankind, matching the Genesis account in detail.

Johnson asserts that scholars have previously been unsuccessful in identifying most of the figures in the east pediment because they have failed to connect Athena with Even and the story of Eden in the Book of Genesis. Through careful research, Johnson demonstrates that we do have the literature and art to serve as a source of reconstruction. Painstaking comparison demonstrates shows that the sculptures of the eastern pediment depict the Garden of Eden, the birth of Eve, the Great Flood. Furthermore, the goddess Athena, whom the Greeks worshipped as the one who brought the serpent's wisdom, is the same person the Book of Genesis calls Eve.

Johnson, a West Point graduate, author, teacher and public speaker based his research on surviving sculptures, the ancient writings of Homer, Hesiod, Pindar and others, plus myths, vase art and the work of numerous experts. His controversial approach will certainly garner attention from all who are interested in the classics, religion, art, and mythology. Indeed, Johnson's unique perspective will provoke avid discussion among academics for years to come, yet is easily approachable by any who hold an interest in our origins.

Athena And Eden: The Hidden Meaning Of The Parthenon's East Facade by author and educator Robert Bowie Johnson, Jr. offers the non-specialist general reader a unique, accessible, and provocative look at classical artwork and human spirituality. Athena And Eden focuses on the majesty of the Parthenon and its mystical connection to the Book of Genesis. Illustrated with numerous black-and-white photographs of Greek artistic treasures, sculptures, and pottery, Athena And Eden is an original, seminal, ground breaking, unforgettable, and highly recommended perspective that will be of particular interest to students of Hellenic art, architecture, mythology, and religion.